Sophia in the Kitchen Sink

It took me most of a lifetime to find Sophia in the kitchen sink.

 

Coming of age in the 60’s, my consciousness raised by Simone de Beauvoir and Germaine Greer, I set myself free from the monotony of housework and never look back.

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It doesn’t help that my mother, a brilliant woman who’d studied with Alfred Adler in Vienna, relinquished a promising career to keep house and raise me. As I see it at fifteen or sixteen, she wasted her life on ironed pillow cases and clean dishes.

I rebel.

Luckily, the hippie world is waiting. By the mid-1970’s I have a bearded husband, two small children and a ramshackle house in upstate New York. For a while we go off the grid: wood stove, 1/4 acre garden, goats. We pay for gasoline and our $29/month mortgage by renting out extra rooms in our rambling house and doing odd jobs. Household responsibilities are meant to be shared but it doesn’t really work out that way. I do the cooking and the cleaning, torn between the romance of the back to the land movement (remember Alicia Bay Laurel’s book, Living on the Earth?) and the rhetoric of the women’s movement.

By the time I find myself pregnant with my third child, I’m in graduate school and teaching elementary school full-time. Housework is delegated or done as quickly as possible. Everyone is busy. A divorce follows, then remarriage and a blended family: two jobs, 5 growing kids. My mother moves in. We get a dishwasher and a part-time housekeeper. The kids have chores they sulk about. Tom, my new husband, does the outside work and the big jobs, and joy of joys!!! He cooks!

Years pass. The kids grow up. My mother dies. Then, a dozen years ago or so, while alternating reading Alice O. Howell’s The Dove in the Stone with painting the kitchen, I’m blessed with a moment of satori. The central message of the book, something I’d understood intellectually for decades, sinks into my cells.

Everything is sacred. Every thing is sacred.

That is Sophia, the sparkle in things, the living wisdom of the manifest, the reflection of the ineffable in the effable.

In Love and the World, Robert Sardello says,

Sophia, the unity of the all, is not to be understood as a dissolving of the particularity and multiplicity of the world, the many becoming one, but rather of the many as one.

Sophi in the sink

A few more years go by before the new understanding penetrates my routine thought patterns, but one day it comes to me that I can choose to like washing the dishes instead of feeling resentful that it’s me doing them again. The dishes and the process of washing them is sacred, too.

I start by paying attention to the parts I like: the feeling of warm water on my hands, the satisfaction I find in arranging the shiny clean utensils and pots and pans in the drainer, the tidiness of the clean counter and sink. The preciousness of water becomes more and more obvious as California’s record drought continues. I develop a washing system that is efficient and pleasurable. I draw in family and friends and washing up becomes a pleasant social time. When the dishwasher breaks I have no desire to spend money fixing it. I like washing the dishes.

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This is how to tend Sophia:  by paying attention to her, by loving her.

The first real rain we’ve had in thirteen months is falling as I write. The relief the rain brings, even though it’s far from enough to end this apocalyptic drought, is truly marvelous: the release of long-held stress in my body, my mind and my heart. A couple days ago a new moon rose, in Aquarius this month, the second new moon in a month, a super-moon. The Chinese year of the green wood horse is here, a year of dynamic new growth after five years of degeneration and dissolution.

May the new growth spawned this year be in appreciating the value of maintenance, of attention and love put into caring for the things we have instead of into acquiring more, into recognizing the treasure in our own back yard.

Sophia's wink

Sophia’s wink in the sink

beginning with thanks

The weekend after September 11, I went to a writers conference where Carolyn See, the keynote speaker, suggested the practice of writing “charming notes,” one handwritten thank you note a day. Refocussing on who and what I was thankful for at a time like that seemed wise and very appealing. Collect beautiful notecards, she told us, and if you can’t think of anyone to thank for something that happened recently, go into your past and thank people you haven’t had contact with in years.  I was ready.

For the next year I diligently wrote a note a day. I wrote to my family, my neighbors, my teachers, my friends. I dug up the addresses of middle school friends, camp counsellors and therapists. I wrote to the city council and my congresswoman. After a year, I slowed to writing notes in a more standard way, for dinner parties, gifts, and once in a while, for a memory or shift in my thinking.

Years passed like that. I still kept a collection of cards, but I let the daily practice go.

Then, a few months ago, I was moved to begin again.

Now I begin almost every day at my desk handwriting a note.  Before getting up, I lie in bed thinking of who I will write to. Sometimes it’s obvious, sometimes it takes some meditation to allow the recipient to surface in my consciousness. Buying notecards is pure pleasure.

So, it seems appropriate to begin this new blog with thanks. To Tom and to all the people who make it possible for me to begin a new project in this almost unbearably beautiful place, surrounded by people who love me and whom I love: thank you!

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California flowers blooming regardless of the drought