Echoes

Much of my time last week went to proofreading the newly laid-out copy of Red Vienna. It’s amazing how many missed errors you find when you reread something in a different font and format. While I was working on it, the US House of Representatives was leaderless. Here’s an excerpt from my book that covers similar events that took place in Vienna’s parliament in 1933:

Cafe Rüdigerhof, Brigittenau

March 7, 1933

Max closes the shop early to meet with the others at the coffee house. The news that Chancellor Dollfuss had eliminated the parliament hit the press earlier that week, and on the same day, it had been announced that the Wartime Economy Authority Law, an emergency law passed in 1917, would be used as a basis to rule.  It gave Dollfuss significantly broader powers than he had under the parliamentary system.

In fact, every day that week brought what seemed like earth-shattering news. Wednesday, the National Council couldn’t agree on how to settle the railway workers’ strike. When an agreement was finally reached, irregularities were found in the vote, and Karl Renner, leader of the SDAP, resigned as Chairman of the Council. 

“You’ve all heard how it came about? It was apparently one of our people. He passed his voting card on to be handed in by someone else while he went to the lavatory,” Hugo says. “And they called it a voting irregularity.”

“Renner shouldn’t have resigned. He should have fought it,” says Leo.

Hugo shakes his head. “He took the high road, though, and he’s out now.”

“If it wasn’t true, it would be unbelievable,” says Max. “That one man responding to the call of nature could cause the cascade of events that led to the downfall of democracy in Austria.”

After Renner’s resignation, Rudolf Ramek, a Christian Social, had been named Chairman. He declared the previous vote invalid and called for a new vote. Another uproar followed. Ramek then resigned, and Sepp Straffner, leader of the Pan-Germans, became Chairman, but he also stepped down immediately. The resignations of Renner, Ramek, and Straffner left the house without a speaker, so the session couldn’t be closed and the National Council was incapable of acting. Not knowing what to do next, the members of the Parliament left the chamber..

In response, Chancellor Dollfuss had declared a constitutional crisis. The parliament, he said, had “eliminated itself,” a crisis not provided for in the constitution. Dollfuss then set up an authoritarian government without a parliament. The establishment of wartime rule gave him complete authority.

So far, the president of the United States hasn’t eliminated the House of Representatives and instituted martial law, but the parallels are striking.

Maybe even more than the desire to share a story based on my parents’ experiences, it’s echoes like this one that compelled me to finish the book.

Watch for it in a few weeks or months.

Red Vienna – a novel

Heinrich Schmidt’s iconic image of Austerlitz-hof in the late 1920’s

At last.

After—how many years is it? roughly ten?—I just submitted the first volume of Two Suitcases to the publisher, WingSpan Press, the same people who published my fantasy, Journey to Mythaca, in 2006.

Red Vienna will be available in paperback or ebook format in about six weeks. I’m working on a website for it, which can be seen in its incomplete state here. At this point, nothing will happen if you push the “buy the book” button because there isn’t a book to buy yet, but if you sign up for the email list, you’ll be among the first know when it becomes available.

The trilogy, Two Suitcases, will eventually cover 1929 to 1942, from when the main characters, Gisi and Max, meet until they leave for America. The first two volumes are set in Vienna and the third in France.

When I began the book, which I thought would be one book and not three, I intended it to be a work of non-fiction, telling the story of my parents’ escape from Nazi Austria as accurately as possible. Early on, though, the characters began to claim their independence, and I made the decision to let the story unfold as it wanted. So, though most of the main characters are based on real people and some of them are historical figures, it’s not only the dialogue that I added. What could I do? The characters fell in and out of love, they developed quirks, their lives followed trajectories that might have happened, given the setting, but probably didn’t. It’s fiction.

I tried much harder to keep the setting accurate, which I think it is. Writing historical fiction is entirely different from writing fantasy. It takes years of reading and researching, probably the main reason all this has taken this long.

If you’d like a look into my writing process, much of it is explored on this blog in posts tagged “Two Suitcases.” Some of the posts are linked below.

The second volume, tentatively called Underground, is about half written and now I’m eager to get back to it. I hope it takes less than ten years to finish.

May 2019 “March 1933”

December 2018 “Two Suitcases- an update

January 2016 “Two Suitcases – in process”

January 2016 “Two Suitcases – an update and an excerpt”

January 2016 “Two Suitcases – an update and an excerpt”

August 2015 “Two Suitcases – progress and a little taste of what’s to come”

Read an excerpt from book 2, Underground