The loss of story – further reflections on the crumbling of perceptual boundaries

When I consider the lessons of our divestment over the past several years, the house on McCollum Street, the house on Park Street, Mama Ganache, a lifetime of acquisitions – I find I always return to the center: what I am, I take with me.

What I am has nothing to do with the things and stories that surround me. It doesn’t need even one suitcase to contain it, much less two. When nostalgia for what I had begins to fill me, wherever I am, I can go to my heart and feel at home with who I am, and that is enough.

Ceiling tile for sale on a street in Morocco

It’s where I find hope, where I can recover that sense of eager anticipation the Hathors recommend in these times of failing expectations and beliefs, the loss of story, and crumbling perceptual boundaries.

One of the seminal books of my hippie years was a typewritten channeled teaching called Season of Changes. I’ve forgotten the details of the predictions, but I’m sure they’ve been borne out or will be soon enough. It was a dark view of the future, full of cataclysm and apocalypse. Written in question and answer format, the last responses concern how to respond to the changes. As I recall, the advice most forcefully given was to practice meditation.

It’s comforting to imagine that more people than ever are doing that, at least in my own bubble. It’s less comforting to remember how tiny a percentage of the world’s population my bubble contains.

But it’s sound advice. When the now threatening storm of storms is full upon us, when that moment of personal and collective apocalypse that we all feel coming finally arrives, it’s the meditators who will be able to hold the rudder.

Storm coming in at our house in Cordes

Meditation takes you to your center, to the center, the one we all have in common. It takes you out of the chaotic whirl of stories to the place of no story, where energy is conserved instead of fueling the miasma of outer experience.

It takes you beyond imagination, beyond the limits of space and time, and beyond the singular focus of our culture on the physical: on acquisition (growth vs. maintenance), on hierarchy (dominion vs. sharing), beyond your own little bit of the apocryphal elephant.

Letting go of the world as we know it, the world of perception, this particular consensus reality, is necessarily heart-breaking. It’s painful to separate from the things and people and stories we love, and love is, after all, what it’s all about.

The tricky part is to connect love to the universal rather than the particular.

And that’s where meditation can take you.

Inner goddess

imageTree of Life by Lee Lawson

 

For a panel discussion recently, I was asked to share the advice I would give young women on embracing their inner goddess. This is my response:

 

I am convinced that on August 21, 2017, at 10:15 in the morning California time, the balance between god-energy and goddess-energy tipped toward the goddess.

In preparation for the shift, our culture has been teetering between a Father-in-the-Sky-centered mythology to a mythology centered on ourselves, leaving out divinity altogether. Neither of those myths holds up anymore. The myth of the goddess, on the other hand, is gaining power.

Unlike God-with-a capital-G, of whom there is only one in the dominant monotheistic view, the goddess manifests in infinite ways. She is the spark in everything that makes it unique.

The goddess shows up when we value the present moment, when we value what we have over what we wish we had. As the future becomes less dependable, the present gains value. Now, more and more people will recognize the magic in the myriad of small things. The goddess hides in the ordinary. The dove is in the stone, as my teacher Alice O. Howell would say.

As the times get harder  – hurricanes, floods, droughts, earthquakes – and the loss of material goods and comfort becomes more widespread, a value shift always happens. It was palpable in the days following the fall of the Twin Towers. It happened in Houston after Harvey hit. It happens whenever there’s a disaster. At least for a little while, people begin to see the value of working together, of helping one another, of contributing to the good of the whole. We are all in this together, after all.

Embracing your inner goddess means finding that in yourself that only you can do, the unique way you that you alone can serve the greater good. That’s your purpose here on earth. That’s when God-with-a-capital-G becomes good-with-a-small-g, and the goddess in you recognizes herself everywhere.

Hummingbirds (or, The End of the World)

From Tuesday to Friday each week, I watch a little girl called Éva, who is 17 months old. She is a delightful child, full of life, curiosity, and good humor.

This week Éva wasn’t feeling well, so we watched one of Mr. Rogers’ operas, “Windstorm in Bubbleland,”1475 over and over. Éva is born to opera: her father is the director of OperaSLO, and her mother is a great lover of opera.

I enjoyed Windstorm so much that I played it for Tom and later for a friend.

In the opera, Hildegarde Hummingbird, played by Lady Elaine, warns the people of Bubbleland that a great windstorm is coming, but no one will listen to her.

“Why won’t you believe me?” she asks, and the people of Bubbleland sing back,

“Because we don’t want to!”

The summary of Windstorm in Bubbleland on IMDB ends:

The wind attempts to utterly demolish Bubbleland. The fate of the world rests in the wings of an unsung feathered heroine.

IMG_7245This morning, the morning following the Paris attacks, the dawn of the apocalypse, I came across an old, handmade book hidden among some papers I was sorting for our coming move. It is a poem by Walter Gruen, written in December, 1939, while he was interned in Meslay du Maine, France, along with the artist who created the little book, Hugo Price, my father, and many other Austrian and German Socialists, intellectuals and artists.

The Song of Barbed Wire

Black and full of clouds

hardly any stars shine in the sky…

Will the night ever go away and the sky begin to lighten?

Barbed wire

separates us from love.

Longing consumes us.

When will freedom blossom?

Freedom, ah, you are so ardently awaited!

Every suffering

has its end.

The sun rises again…

March storms rage,

Longing becomes fulfilled!

Barbed wire

in all the lands

freedom is denied …

March storms will thunder

Freedom will return.

Moments after I shared the book with Tom, we discovered a hummingbird trapped in each of the three skylights in our bedroom. Three hummingbirds! Three rufous hummingbirds, the California version of Hildegarde, banging their heads against the glass.

We tried to free them, but it was time to go to the farmers’ market. After making sure the cats were elsewhere, we left the three hummingbirds to exhaust themselves until they fell, and hopefully to fly away when they recovered.

As I got into the car with my bags for the market, I moved a piece of paper from my seat. It was a flyer for a friend’s radio show:

my WIN card copy

Four hummingbirds!

A couple hours later, two of the three in the skylights were gone. The last one, like Hildegarde at the end of the opera, lay silent on the floor. As I picked the tiny body up, it woke, shook itself, and flew off. Like Hildegarde.

Traditionally a harbinger of the joy of life and of synchronicity, hummingbirds also symbolize courage, adaptability, determination and flexibility.

Four hummingbirds show up just when I’m feeling the end of the world is surely at hand. There must be a message here, don’t you think?