Ninety days outside the Schengen area – sacred geometry in Morocco

It was in the Nejjarine Museum of Wood Arts in Fès that the thought struck me. The chaos of the crumbling medina, the vibrancy of the souks, the noise, the pollution, the exploding energy of the colors, and the sheer quantity of stuff –

Souk, medina, Marrakech

– is beautifully balanced by prevalence of the purposeful geometry, sacred geometry, everywhere.

That’s why Morocco is so enchanting.

Souk, medina, Fès, Morocco

Doorway, Marrakech Musèe

Wall, Palais el Mokri

Islam takes the prohibition of worshipping graven images seriously, and discourages figurative art. Like all of life, art should be dedicated to God, and God is only describable as essence. Geometry is essence.

Fountain, Palais Glaoui, Fès

Who can resist being centered by such design?

All my years of studying sacred geometry, beginning even before my Ganesh Baba days, and then Dan Winter and most deeply with Alice O. Howell, peaked at that moment in the museum. I stood at the center of a ideally proportioned room surrounded by mandalas, exquisite symmetry, perfect curves, rhythmic repetition, and profoundly satisfying rectangles and squares.

I wanted to take dozens of pictures, but photography was not allowed, so I was forced to confront the serene beauty of that room face on. It was transformative.

Since then I’ve consciously attuned myself to noticing and letting the geometry take me in.

Palais el Mokri

Medina, Marrakech

Palais el Mokri, Fes

Pastry, souk, medina, Fès

Even contemporary Moroccan design uses the elements of sacred geometry to create beautiful calm spaces, as exemplified by our current Airbnb in the new part of Marrakech.

Magical!

Detail, lamp, Marrakech apartment

Detail, lamp, Marrakech apartment

Dining room table and chairs

Dishes

Bedspread

Gate to new apartment building

Light fixture in our Airbnb apartment in Tnine, Ourika

Inner goddess

imageTree of Life by Lee Lawson

 

For a panel discussion recently, I was asked to share the advice I would give young women on embracing their inner goddess. This is my response:

 

I am convinced that on August 21, 2017, at 10:15 in the morning California time, the balance between god-energy and goddess-energy tipped toward the goddess.

In preparation for the shift, our culture has been teetering between a Father-in-the-Sky-centered mythology to a mythology centered on ourselves, leaving out divinity altogether. Neither of those myths holds up anymore. The myth of the goddess, on the other hand, is gaining power.

Unlike God-with-a capital-G, of whom there is only one in the dominant monotheistic view, the goddess manifests in infinite ways. She is the spark in everything that makes it unique.

The goddess shows up when we value the present moment, when we value what we have over what we wish we had. As the future becomes less dependable, the present gains value. Now, more and more people will recognize the magic in the myriad of small things. The goddess hides in the ordinary. The dove is in the stone, as my teacher Alice O. Howell would say.

As the times get harder  – hurricanes, floods, droughts, earthquakes – and the loss of material goods and comfort becomes more widespread, a value shift always happens. It was palpable in the days following the fall of the Twin Towers. It happened in Houston after Harvey hit. It happens whenever there’s a disaster. At least for a little while, people begin to see the value of working together, of helping one another, of contributing to the good of the whole. We are all in this together, after all.

Embracing your inner goddess means finding that in yourself that only you can do, the unique way you that you alone can serve the greater good. That’s your purpose here on earth. That’s when God-with-a-capital-G becomes good-with-a-small-g, and the goddess in you recognizes herself everywhere.

Aberduffy Day

2927847289_c0ecabe4bb_zAlice O. Howell celebrated Aberduffy Day on Tuesday, October 28, about three weeks before what would have been her 92nd birthday. She left easily, surrounded by family.

At yesterday’s Samhain ritual, when Kathy and Barbara encouraged us to visit with our loved ones and bring back memories, messages and perhaps a gesture, Alice’s image and words came to me instantly. She floated in, full of grace, expressing immense joy in her release from that cumbersome body and in her reunion with Walter. Then came the gesture: raise a dram! So, after lunch, we got out the brandy and toasted her. On this day of special liminality, perhaps you might like to join me at sunset, wherever you are, in raising a dram. Get out the best scotch, face the sun, invoke Sophia, and raise a dram to Alice, Mercy Muchmore, IonaDove. She taught me so much. In bittersweet joy, Eve
holy-spirit-dove-st-peters
Invocation
O Holy Sophia, Holy Wisdom, Holy Joy hidden for so long come forth and reveal yourself in the world and in our souls!
Help us to see with a loving eye Help us to hear with in wit and intuition
Show us how to be natural and kind Show us how to find ourselves in one another
Lead us from who we think we are to who we really are
Let us learn from the flowers that we need not strive so hard
Teach us to allow that Light from within to unfold us as a gift like your Rose.
a. o. howell

Noticing

Another entry for you, Alice, as your teachings continue to unfold.

Noticing comes naturally as I practice slowing down. You once said to me,

“You don’t have to do anything.  Just let the layers unfold until your radiant soul shines through.”

Slowing down allows the light of consciousness to flow more freely; my attention, in a more relaxed and diffuse state, picks up sounds, scents, images that I wouldn’t ordinarily notice.

So, I return your poem to you with my pictures.

Pastor’s Pastorale

rYour poem, my pictures

our mother in springOr were there time enough

x

to sleep and dream

y

and mull the mind

z

on things as they might seem —

a

IMG_4285

but, no

b

we plod

r

(and stumble on our guilts)

d

to God.

How simple then to walk the night

s

IMG_4309and touch the stars or taste the dew

f

smile at such gifts

w

and count ourselves among the few

t

IMG_3904who yes

IMG_4328

who pray

IMG_4322

yet kiss

IMG_4122and sing to others what they miss:

It’s this! It’s this!

 From the Archives of the Heart

Everything was opening its secrets to me in silence, without a word. Everything shone in my heart now instead of my head. The more I appreciated, the more I could see. It was a whole new way of learning, by listening to silence.         ao, The Beejum Book

Thank you.

The Sybil

Alice O. Howell,  at whose feet I sit in this picture, whose student I will always be and whom I love without reservation, is 91 now. Cosy, kind or crotchety, she is being tended by family and friends in her home, Rosecroft, nestled in the Berkshires. It’s quite a winter they’ve had there, so I’m happy to pass on news from a friend who visited her last weekend. He writes that she is very much her old self and suggests reading her poem “The Sybil.” Thanks so much, Greg.

(I wish I could get the placement of the lines right but I don’t know how to do it here. Click on the title to see the poem properly.)

THE SYBIL

“Old Granny Larkin had age by the toe

and hollering for help.

She just shriveled up a little

every year with them boiling-downs.

Her watery grey eyes

went on and off like a light

depending on the kind o’ day it was

for her.

Her white hair kind of exploded

off her head – like it had a life all its own

and I mind, as a little girl

watching it raise up and move

this way and that

with her thinkin’.

She was so old not a body ’round

knew about her young times.

She must o’ been born old

like a owl.

 

Click here to continue The Sybil.

 

Sophia in the Kitchen Sink

It took me most of a lifetime to find Sophia in the kitchen sink.

 

Coming of age in the 60’s, my consciousness raised by Simone de Beauvoir and Germaine Greer, I set myself free from the monotony of housework and never look back.

photo 6

It doesn’t help that my mother, a brilliant woman who’d studied with Alfred Adler in Vienna, relinquished a promising career to keep house and raise me. As I see it at fifteen or sixteen, she wasted her life on ironed pillow cases and clean dishes.

I rebel.

Luckily, the hippie world is waiting. By the mid-1970’s I have a bearded husband, two small children and a ramshackle house in upstate New York. For a while we go off the grid: wood stove, 1/4 acre garden, goats. We pay for gasoline and our $29/month mortgage by renting out extra rooms in our rambling house and doing odd jobs. Household responsibilities are meant to be shared but it doesn’t really work out that way. I do the cooking and the cleaning, torn between the romance of the back to the land movement (remember Alicia Bay Laurel’s book, Living on the Earth?) and the rhetoric of the women’s movement.

By the time I find myself pregnant with my third child, I’m in graduate school and teaching elementary school full-time. Housework is delegated or done as quickly as possible. Everyone is busy. A divorce follows, then remarriage and a blended family: two jobs, 5 growing kids. My mother moves in. We get a dishwasher and a part-time housekeeper. The kids have chores they sulk about. Tom, my new husband, does the outside work and the big jobs, and joy of joys!!! He cooks!

Years pass. The kids grow up. My mother dies. Then, a dozen years ago or so, while alternating reading Alice O. Howell’s The Dove in the Stone with painting the kitchen, I’m blessed with a moment of satori. The central message of the book, something I’d understood intellectually for decades, sinks into my cells.

Everything is sacred. Every thing is sacred.

That is Sophia, the sparkle in things, the living wisdom of the manifest, the reflection of the ineffable in the effable.

In Love and the World, Robert Sardello says,

Sophia, the unity of the all, is not to be understood as a dissolving of the particularity and multiplicity of the world, the many becoming one, but rather of the many as one.

Sophi in the sink

A few more years go by before the new understanding penetrates my routine thought patterns, but one day it comes to me that I can choose to like washing the dishes instead of feeling resentful that it’s me doing them again. The dishes and the process of washing them is sacred, too.

I start by paying attention to the parts I like: the feeling of warm water on my hands, the satisfaction I find in arranging the shiny clean utensils and pots and pans in the drainer, the tidiness of the clean counter and sink. The preciousness of water becomes more and more obvious as California’s record drought continues. I develop a washing system that is efficient and pleasurable. I draw in family and friends and washing up becomes a pleasant social time. When the dishwasher breaks I have no desire to spend money fixing it. I like washing the dishes.

photo 3

This is how to tend Sophia:  by paying attention to her, by loving her.

The first real rain we’ve had in thirteen months is falling as I write. The relief the rain brings, even though it’s far from enough to end this apocalyptic drought, is truly marvelous: the release of long-held stress in my body, my mind and my heart. A couple days ago a new moon rose, in Aquarius this month, the second new moon in a month, a super-moon. The Chinese year of the green wood horse is here, a year of dynamic new growth after five years of degeneration and dissolution.

May the new growth spawned this year be in appreciating the value of maintenance, of attention and love put into caring for the things we have instead of into acquiring more, into recognizing the treasure in our own back yard.

Sophia's wink

Sophia’s wink in the sink