Two Suitcases – a window into the process of writing historical fiction

Currently, my characters Gisi and Max are traveling by train from Innsbruck to Venice over the Brenner Pass. In Venice, they’ll spend a couple nights in a youth hostel. It’s a much-needed short vacation for them, and a chance to try out Leo and Hugo’s recently forged Ausweis, or exit permit.

This is how may current writing process works. Once I’ve decided on a general framework for the next section I’m going to write, I do the research. I look at the history of the time and place in as close detail as I can—the Internet, for all its failings, is the most unbelievable library—as well as in the big picture. I fill pages and pages with cut and pasted images and text.

The archives of the New York Times are very useful, and I follow parallel stories in fiction and memoirs, and movies. I listen to music from the era. Currently, I reading Irene Wittig’s All that Lingers, which is set in the same time and place as Underground. The research for the particular section I’m writing now is taking me longer than usual because the characters are traveling to some places I’ve never been to.

When I’m feeling like I’ve done enough research, I start to imagine what my characters might do in the setting. Gisi and Max pass through Innsbruck on their way to Venice, so Gisi could see her cousin who lives there. The cousin’s husband is a Nazi; that could make for an interesting conversation. Maybe I’ll have Gisi and Max change trains in Innsbruck and give them a three hour wait, enough time to have meal with the cousins. Would Max be willing to do that?

Here’s how the piece I’ve written about that begins:

Chapter 21

Innsbruck

Vienna

September 2, 1936

When Gisi sees that other than by taking the night train, which would mean missing the views, the least expensive tickets she and Max can get to go to Venice includes a three-hour layover in Innsbruck. She suggests to Max that she write to her cousin Litzi to arrange to have lunch with her and her husband, Horst, who live there.

“I know he’s a Nazi,” she tells Max, “but I grew up with Litzi and I don’t want to lose her entirely. Surely we can steer the conversation away from hot topics.”

“You think so? Gisi, he hates me. He doesn’t even know me but he hates me. Why should I share a table with him?”

“Because you claim to be a pacifist? Because it takes two to tango?”

“I’m not sure I want to subject myself to that. I’m not sure I’m capable of it. I’m not Jesus Christ, Gisi.”

“He was perfectly well-mannered when I met him at Christmas a few years ago.”

“When he was pretending not to be a Nazi. Things have changed. He has no reason not to show his true colors now.”

“Then do it for me. If it gets ugly, we’ll stand up and leave.”

“Why don’t you and Litzi meet and I’ll spend the three hours in a bookstore or a cafe?”

“Maybe. But let me write and see what Litzi thinks. Then you can decide.”

Innsbruck

September 4, 1936

Litzi stands by the open window reading Gisi’s letter.

“Horst?” she calls into the hall. Her husband, returning from work with the daily paper tucked under his arm, hangs up his hat and comes into the sun-filled living room.

“My dear? You had a good day?”

“Yes, naturally. The boys haven’t come home yet, though, and I wanted to discuss this letter I received from Gisi today with you.” 

Horst pats his thick blond hair into place and makes himself comfortable on the divan. “Alright,” he says. “What is it?”

“First, Gisi asks me not to discuss this with you, but how can I not? You’re my husband. I have to. But if what she is suggesting does come about, I would ask you not to let her know that we talked about her proposal so soon.  You’re willing to do that?”

“Of course. What is she proposing?”

“Well, she and her friend Max will be in Innsbruck for a few hours on a stop between trains. They’re going to Venice for some reason. Since they’ll be here from eleven to two thirty, she suggests we have lunch together at a restaurant near the train station.”

“With Max? That sleazy Jew?”

“With Max. Though she says he isn’t eager to do it. He says he would rather wait at the station while she and I meet alone.”

“That sounds reasonable to me. Why not do that? I have no desire to share a table with a Jew, and a Socialist Jew at that.”

“I know he’s a Socialist Jew,” she tells Horst, “but I grew up with Gisi and I don’t want to lose her entirely. Surely we can steer the conversation away from hot topics.”

“You think so? Litzi, he hates me. He doesn’t even know me but he hates me. Why should I spend time with him?”

“Because you claim to be a Christian? Love your enemies? Blessed be the Peacemakers?”

“I’m not sure I’m capable of it. I’m not Jesus Christ, Litzi.”

“Then do it for me. If it gets ugly, we’ll stand up and leave.”

“Maybe. I’ll think about it.”

A long wait and a new excerpt

Draft of the cover for the hardback version of Red Vienna

Red Vienna is coming, I promise you. But, as anyone who has published a book will tell you, it always takes longer than you hoped.

While I wait I’ve been working on Underground, the second volume of Two Suitcases. After the fascist government of Austria banned the Social Democratic party, its activist members went underground, hence the title of the volume. In the outer world Leo works as a printer, and Hugo grinds lenses for an optician, but their real work takes place very discretely in a basement room in one of the social housing complexes.

Here’s the part I wrote today.

Chapter 19

Hijinks

April 20, 1935

a hidden room in the basement of Goethe-hof, a social housing complex

Leo and Hugo lean over a heavily crossed out and written over text, the harsh light above them creating a circle on the old table. Next to them is a stack of the official stationery of the President of the Police, Dr. Skubl. The pages even have his rubber-stamped signature at the bottom.

“No,” says Leo, pointing to the text. “Change it to make Skubl say, ‘As our noble police are currently occupied with arresting Socialists, Communists, and other anti-Fascists, the duty falls upon the public to keep down common crime.’  Add the word ‘noble.’”

“Right, right, that works better,” Hugo answers, looking up a moment and cleaning his glasses. “And the next part is good too, but let’s also make him assure the people that their taxes are being well-spent. Huh. Why don’t we invite people to inspect the police headquarters so they can see with their own eyes the absurd sums of money our government is spending on armaments to deploy against political opponents?” 

Leo laughs. “Great idea!”

Hugo thinks. “How about advertising an Open House at police headquarters every Sunday morning? The invitation would specifically say it’s to see the vast armory of tanks, machine guns, rifles, gas weapons, etc., etc., ready to kill their neighbors and co-workers, all funded by their taxes. Let Skubl say it’ll start in May.”

“That’s it, perfect. Write down what you want it to say. I’ll get the type set.”

“We have a dozen sheets of this stationery, more than enough to get it out to the state newspaper, the radio, and the foreign press.”

“I can do some posters and flyers announcing the Sunday Open Houses, too.” Leo smiles at the thought of the police headquarters being overrun with people demanding to see the armory.

“Excellent. Make sure they give the reason for the Open House clearly: to see the weaponry meant to control the opposition.”

“It’ll have to be very carefully worded.”

“Of course. I trust you,” Hugo says, putting on his jacket. “Show me the first drafts when they’re ready.”

At just the same time in another neighborhood

Frau Selma Schmid of Habbichergasse is looking out of the window of her small apartment. The weather is changing. Soon it’ll be raining again, she thinks, and it’s so cold for April. I should start a fire. As she takes some old papers from the pile to throw into the cold coal stove, she glances at the program from an event she and her husband attended the week before. How proud she felt to see Major Fey, noble leader of the Heimwehr, as he was installed as Regent of Austria. Such an honor. Frau Schmid loves pageantry. Fondly, she recalls standing next to her father as the funeral procession of Emperor Franz Josef went by in 1916.  Life was much better under the monarchy, even at the end, during that horrible war. 

As she’s about the crumple the program up, she notices the words, “Free to the bearer of this program” and she looks more closely. What is free? Nothing is free anymore. 

The door opens and Herr Schmid, disheveled after his afternoon nap, comes in. “What are you doing?” he asks grumpily. “We can’t afford a fire. It’s the middle of spring, what are you thinking?”

“But look, my dear! To think I almost threw this away! On the back of the program to Regent Fey’s installation is a generous donation by his supporters. It says that if we bring this program to any of the shops listed here, we’ll be offered our choice of goods worth 10 schillings! That’s three loaves of bread!”

“Now, why would anyone do that? It makes no sense at all to me,” mutters Herr Schmid, sitting down to look at the program. 

“But that’s what it says,” his wife points out.  “Look at the list. All these merchants are making the offer just to celebrate Regent Fey.”

“Well,” grunts her husband. “That’s what it says alright. Put on your coat. We’ll go to Oberhoffer’s—you see, he’s listed here—and see what’s left in his shop. Very little, I’m betting. He’s an old fool to have made such an offer.”

“Herr Oberhoffer is an honorable man, Richard. And a patriot. I’ll get my bag.”

Ten minutes later, the couple is entering the bakery while another couple opens an umbrella outside the shop. 

“Georg! I told you it was a scam!” the woman is saying.

“But it was the official program. The guard at the gate was handing them out. I saw it myself,” her husband insists as they walk away.

“Ha,” says Herr Schmid to his wife Selma. “I told you so. You heard that. It’s a scam.”

“I’m going in anyway. I want to hear what Herr Oberhoffer has to say,” she replies, entering the shop.

“Nothing!” comes a shout from behind the counter. “I have nothing to say! Except that it’s not true, I’m not offering anybody anything for free!”

The Schmids stare at the baker.

“Nobody gets anything for free from me!” the baker goes on.

“What a miser!” says Herr Schmid to Selma as he turns and leaves. “He should have been generous and gone along with it even if it was a scam. That’s the last he’ll see of me!”  

His wife hurries out after him.

In the hidden room in the basement of Goethe-hof

Leo says to Hugo, “Before you go, do you happen to have heard how the programs for Fey’s installation as Regent of Austria worked out?  I printed a thousand of them even though they only expected a few hundred at the event. Franz said they’d be distributed at the event itself and that the rest would be left here and there all over the city.” He chuckles. “Halfway through the program we said Fey would be officially declaring himself Regent of the country he destroyed. That was the exact language. Of the country he destroyed. I wonder how many people read far enough to see that.”

“I’ll bet they read far enough on the back to see the list of shops in Vienna where they could get 10 schillings worth of free goods by presenting the program. I’ll have to ask around to see how that turned out.”

“It makes me laugh just to think of it,” Leo smiles.

“It’s incredibly frustrating, though, that our communication system is so limited. Without being able to use the post, telephone, or the telegraph, sometimes it takes weeks before I hear the results of something we planned and printed right here.”

“That’s true. Our illegal network is disrupted ridiculously often. Collection points can’t be accessed because a new neighbor moved onto the block, or worse, because one of our ‘postmasters’ has been arrested. All too frequently I send out a draft of something to someone who doesn’t dare come here in person to check it, and I get a reply days or weeks after the event I was printing the flyers for was supposed to have happened.”

Hugo opens the door to leave. “It feels like we’re in the middle ages, doesn’t it?” he says.